Category Archives: Evelyn Prentice

Man-Proof (1938)

rosalind russell man-proof
Rosalind Russell in Man-Proof (1938)

The first film Rosalind Russell made in 1938 was Man-Proof, which, although she had co-starred in 5 films previous and even been the star of one, only put her at third billing behind Myrna Loy and Franchot Tone. Although the film is fun in parts and Myrna Loy clearly steals the show, I have always felt it was unfair to Roz to put her in such a small role that has her disappear completely about 45 minutes after it starts. She deserved more than that at this point in her career, but the bright side is, at least she got to work with Myrna Loy, a beloved actress at the time and one of my favorites. Roz’s film debut was in a Myrna Loy film, Evelyn Prentice, but she never shared one second of screen time with Miss Loy. This time, they had several scenes together and I think although they break each other’s hearts a little by tossing one man’s affection around like a football, you can tell they like each other and are probably friends offscreen.

As the film starts, each main actor’s photograph appears on the screen with their name and their character’s name, accompanied by a different piece of music for each actor. Rosalind Russell’s music “as Elizabeth” is rather soft and subdued, much like her character tended to be. First we see Nana Bryant, who plays Meg Swift, typing out another one of her romance novels she is so famous for.

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Rosalind Russell and Myrna Loy on the set of Man-Proof (1938)

Next we see her daughter, Mimi (Myrna Loy), who is impatiently waiting on word from the man she loves, Alan Wythe (Walter Pidgeon). When the doorbell rings, she eagerly runs to the door, hoping it’s Alan. Unfortunately, it’s Jimmy Kilmartin (Franchot Tone), a family friend. It is rather amusing as the two of them exchange comical barbs back and forth, insulting each other. I think even at this early point in the film, there is something between them that they don’t see or want to admit. Mimi finally gets a telegram from Alan, but all happiness is drained from her face when she reads that he will marry her friend, Elizabeth (Rosalind Russell) and they hope that Mimi will be a bridesmaid. Devastated, she goes on about how she at least got the “consolation prize” and “Do bridesmaids ever wear black?” The way she says this last line is rather funny and will show anyone that Myrna Loy is talented in comedy.

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Rosalind Russell in her bizarre wedding veil! (Man-Proof, 1938)

At the wedding, all is serious and romantic as any other wedding, but nothing can take away from the bizarre and comical wedding veil Rosalind Russell is wearing in the scene. She looks rather like an alien and although they are saying their wedding vows, I can’t help laughing at her. I don’t know whose idea it was for her to wear such a ridiculous veil, but it was a terrible one at best. After they are married, Mimi, who is still heartbroken over it, gives her best wishes to Elizabeth and then to Alan, she says, “I hope you’ll be very unhappy… because anything I wish for never comes true!” While the other bridesmaids hurriedly get Elizabeth ready to go off on her honeymoon, Mimi starts drinking to ease her pain. Once Alan goes in to see his new bride and she has taken off her veil from Mars, we can all start focusing on what’s going on in the movie. Although it is later established that Alan married Elizabeth mainly for her money, I must say they are rather cute in this scene when they hug and kiss. After Elizabeth goes in to finish getting ready, Mimi comes in, drunk as all get out. She stumbles in, acting silly and giggling.

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Myrna Loy greeting Rosalind Russell in Man-Proof (1938)

This is a very funny scene. In fact, I think it’s one of the best scenes and it’s fun to see Myrna Loy drunk. The way she is talking to Alan and giggling is hilarious and is more proof that Myrna Loy is stealing the show. We staggers over to the door where Elizabeth is and opens the door. She gives Elizabeth her congratulations and tells her goodbye. We do not see Elizabeth, but we hear her voice. Mimi ends her little speech with “Gee, you’re pretty,” then as she walks out of the room, she adds, “So am I!”

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Walter Pidgeon, Myrna Loy, John Miljan, and Rosalind Russell in Man-Proof (1938)

Mimi’s mother sends Jimmy on a wild goose chase, trying to track down Mimi, who is staying out all night getting drunk. Jimmy finds her in a bar by herself and they have a long talk about what has happened. She eventually finds herself home and wakes up the next morning with a debilitating hangover. As her mother comes in, she is expecting a lecture on what she was doing last night, but Meg tells her she’s not that kind of mother. She just advises her to find something else besides Alan to focus on. As her mother leaves, Mimi quips, “How’d I ever happen to get a mother like you?” and Meg says, “You’re much too young to know.” While funny, it’s also a little odd because it’s obvious Mimi is more than old enough to know exactly what she is talking about.

rosalind russell myrna loy man-proof
Rosalind Russell and Myrna Loy in Man-Proof (1938)

Soon afterwards, Mimi gets a job at the newspaper working in the art department, where Jimmy also works as a cartoonist. She is very excited that she has the opportunity to draw a bed for a furniture ad. She shows Jimmy the drawing and although he isn’t very impressed (“It’s a bed. What does it look like, a horse?!”), she is beyond happy. When they see an article in the newspaper about Alan and Elizabeth coming back from their honeymoon to give a big homecoming party. She beams and says she can go to the party because she “loves this bed!” and not Alan. She does indeed attend the party and when she goes out to the back porch and Alan joins her, he is disappointed that she doesn’t seem to carry a torch for him any longer. Elizabeth joins them and when Mimi tells her, “I love furniture!” Elizabeth replies with a very emphatic “Whaaaat?”

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Myrna Loy, Franchot Tone, Rosalind Russell, and Walter Pidgeon in Man-Proof (1938)

I have to mention this because ever since I first became a fan of Rosalind Russell’s, I have noticed the funny way she emphasizes her “what” when she is surprised, shocked, or even amused. She does it in many of her films and as I became more of a fan, I came to expect it and when she didn’t stretch that “what” longer than necessary, I was disappointed. As you study an actress more intently, you are bound to notice things like that. Besides that, there are the widened eyes deemed “Roz eyes,” the way she involuntarily raises her eyebrow in a dubious situation, her crooked front tooth that is only visible when she smiles wide or laughs, and the many words in the English language she pronounces in her own little way.

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Rosalind Russell in Man-Proof (1938)

The next day, Mimi and Alan go to the fights without Elizabeth. Alan tells Mimi that his wife is sick and didn’t want to come. Elizabeth doesn’t mind if Alan takes Mimi. They have a grand ol’ time and even go back to the bar where Mimi had been drinking herself into a stupor after Alan’s wedding. This time, she is happy, and she is very impressed with how far she has come. They end the evening by coming around the corner toward Mimi’s apartment, arm in arm, dancing and singing “On a Sunday Afternoon.” I also notice that Myrna Loy is most likely not comfortable singing on camera. She sings very quietly, letting Walter Pidgeon take up most of the slack.

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Walter Pidgeon and Rosalind Russell in Man-Proof (1938)

The next day, Mimi informs her mother and Jimmy that she is going to go after Alan after all and she is going to tell Elizabeth. Of course, she takes the coward’s way out and calls Elizabeth on the phone instead of telling her in person. After Mimi tells Elizabeth her feelings about Alan, Elizabeth stares, shocked and saddened by the news, and slowly hangs up.  When Alan comes home later that night, she tells him that Mimi phoned in order to gauge his reaction. They get ready for a party but before you know it, she is back in bed, letting Alan know she is still sick and “doesn’t want to risk it.” She encourages him to go out by himself anyway. When he leaves, she stares after him longingly with tears welling up in her eyes. It is rather sad to see her so willing to give up her man that easily.

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Rosalind Russell in Man-Proof (1938)

Later that night, Alan stops by Mimi’s place after having a confrontation with Jimmy at a bar and before long, he kisses her. However, there is suddenly a knock on her door and she knows right away that it is Elizabeth. It is indeed who she thought it was and dressed in a perfectly lovely dress, she enters the room and looks around, taking in what is in front of her. This is Rosalind’s best scene in the film and for once, she actually steals attention away from the star. She takes center stage right away and does all the talking while the other two just listen to her. She says she knows Alan never loved her, that he only married her because she’s a “rich girl,” and that he is just an ordinary man.

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Rosalind Russell in Man-Proof (1938)

She was willing to stay with him because she loved him so much. However, eventually, Alan was trying to be in love with her—so hard—that the effort was desperate. She started to feel sorry for him because he is obviously a very lonely man who would be going after a parade of women throughout their marriage. However, now that he is really in love (with Mimi)… but she doesn’t know how to finish her thought. She passes up on the drink with Mimi and Alan, not able to be noble much longer. As she leaves, she says to Mimi, “Wouldn’t it be funny, Mimi, if Alan got sick and you and I went to the fights?” With that, she leaves and never comes back. Mimi watches her go and says, “There goes a general in any woman’s army.” Although Rosalind Russell has bid her adieu to the film, she ended it on an impressive note and with a funny line to boot.

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Rosalind Russell and Walter Pidgeon in Man-Proof (1938)

Mimi is now happy that she can be with Alan, but he will have none of it. He tells her that no matter what, there would be a parade of women just like Elizabeth said. He leaves her, going back after Elizabeth instead. Mimi’s heart has been broken for the last time by Alan Wythe and she swings by Jimmy’s place. They go for a drive and Mimi insists they pick up an old man hitchhiking by the side of the road. He is played by the incomparable Harry Davenport and is on his way to see his young daughter, who has just had a baby. Jimmy and Mimi start making up a story about how they have twins that Mimi thinks should be named “Nip” and “Tuck.” It is funny how the expression on the old man’s face changes as they tell him that they are “just pals.”

myrna loy man-proof
Myrna Loy in Man-Proof (1938)

The film ends with a fun scene in which Meg convinces Mimi and Jimmy that they are in love with each other and just keeps laughing and laughing. After Mimi tells Jimmy that she’s hungry, he kisses her. He says, “How do you feel now?” And she replies, “Well, I’m not hungry anymore.” As it fades out, Meg exclaims, “The end of a beauuutiful friendship!”

 

IMDb page for Man-Proof (1938)

TCM overview of the film

Trailer of the film:

Evelyn Prentice (1934)

Rosalind Russell Evelyn Prentice
Rosalind Russell in Evelyn Prentice (1934)

This will be the first post in a series in which I will write about all of the films in Rosalind Russell’s filmography chronologically. That being said, let’s start with her debut—Evelyn Prentice. This film stars the versatile and loveable William Powell and Myrna Loy, a screen couple franchise—that’s what I like to call them—whom the public adored and made MGM a lot of money. Rosalind Russell, 27 years old at the time, was absolutely green in the movie industry, coming from a career on the stage (most recently with an English stage troupe led by the great C.C. Clive) right to sunny California where she didn’t know anyone. She was a lucky one, too, because although she wasn’t very well known as an actress, she got herself a contract with the most revered studio of the day, MGM studios, whose motto was “More stars than there are in heaven.” And for Roz to be put immediately into a movie with William Powell and Myrna Loy? That was just icing on the cake. While she shares no scenes with Myrna Loy, Roz became great friends with both Powell and Loy, two actors who enjoyed Roz’s sense of humor and bubbling personality. Rosalind came to adore William Powell, who was kind enough to help her with her first movie project. She didn’t quite know what to do in front of the cameras, and so she would simply walk across the soundstage, say her line, and walk out. But she was doing it all wrong, Powell pointed out to her. She had to hit the “marks” on the floor—walk and then stop on the chalk marks that guided the actors and cameramen. She appreciated his help and called Powell a “divine man and a great friend.” She was brought in as a back-up for Myrna Loy whenever Miss Loy didn’t like a movie she was put into or threatened to walk out. As Rosalind said, she was “a threat behind Myrna.”

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Rosalind Russell, publicity shot for Evelyn Prentice (1934)

Evelyn Prentice centers around John Prentice and his wife, Evelyn (William Powell and Myrna Loy). John is a busy lawyer who seems to spend more and more time at the office than at home, which has his wife restless and lonely. In the beginning of the film, he is busy on a case for Nancy Harrison (Rosalind Russell), who has been charged with manslaughter when she got into a car accident with a man who died at the scene. After John gets her acquitted, it is obvious she likes him as more than just her lawyer. She even takes a train for Boston because she knows he will be on the same train. Later, she sends a to John’s wife Evelyn, which is marked to be a gift to Nancy from John with a note saying it was found in John’s compartment. Roz’s character is a troublemaker, trying to ruin an already fragile marriage. She isn’t successful, and although 15 minutes into the movie, we never see her again, she certainly is noticeable. Being a widow, she always wears black in the film, and she looks lovely in the outfits, matching her equally dark hair.

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Rosalind Russell and William Powell in a deleted scene from Evelyn Prentice (1934)

I highly recommend this movie because of Myrna Loy. The movie includes a wonderful courtroom scene, where Evelyn is on the stand, giving her heart-shattering testimony. Her testimony is beautifully moving and I always find my eyes glued to the screen during this scene. Isabel Jewell also gives a great performance on the stand, sparking a few tears in my eyes.

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William Powell and Myrna Loy in Evelyn Prentice (1934)
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Myrna Loy and one of my favorite character actresses, Una Merkel

Here are some links pertaining to the film:

http://www.imdb.com/title/tt0025091/

http://screensnapshots.blogspot.com/2012/03/evelyn-prentice-1934-wheres-asta.html

Buy the film here

The full movie on YouTube

 

 

 

"Evelyn Prentice" –A Good Start

Howdy folks,

I see from the results of the first poll that Hildy Johnson is the favorite character. Good choice, all J Mame Dennis is my personal favorite, in case you were wondering. I watched the movie Evelyn Prentice about a week ago. It is from 1934 and stars William Powell and Myrna Loy, my favorite on-screen couple. Of course I’ve seen this movie several times already because not only is it a Bill and Myrna film, but it was Roz’s screen debut. While Roz is gone within the first 15 minutes of the movie and comes off as somewhat of a “homewrecker,” it is very interesting to see her in her first movie at the age of 27.

I remember reading that she did not quite know how the movie business worked, having been in summer stock up until that point. Bill Powell had to tell her that she could not just simply walk into the scene and walk out. She had to stop on the marked spots on the ground. The shot had to be just right, after all, hence the marks on the floor.

One thing I notice in this film is how low and soft Roz’s voice is. It is not quite the voice we are probably used to—that loud voice full of excitement and energy, ready to instill laughter at any given moment. I am glad she went on to her famous comedic roles, but “Evelyn Prentice” was a still a good start for her. I believe the small roles she received in the first few years at MGM probably gave her plenty of time to hone her acting skills in a variety of roles, from drama to comedy. Another thing that stood out to me was how her dark clothing (her character is a widow) looked with her equally dark hair and eyes. Very interesting effect and she did well her first time up at bat.

On a last note, Bill and Myrna are as adorable as ever, although this is more drama than comedy. The last courtroom scene with Myrna crying on the witness stand always moves me. She just breaks my heart in that scene!

I’m signing off for now, friends. See you later 🙂

"Evelyn Prentice" (1934)

TCM will be showing two daytime marathons this month of Rosalind Russell movies (10/19 and 10/28). Each day this month, I will post a series of photos from each movie they will show.

The first one they will be showing (10/19) is also Roz’s debut movie, Evelyn Prentice. She appears very briefly, but catch it to see her first screen appearance, and if you are a fan of William Powell and Myrna Loy, you will surely enjoy it: Read about Evelyn Prentice