Tag Archives: 1935

China Seas (1935)

Romance. Action. Melodrama. Torture. Death. Combine these things together and it spells out “China Seas,” a film from 1935. This is another one of those “Lady Mary” roles Rosalind Russell was already beginning to tire of. She once wrote, “I was always taking Clark Gable or Bob Montgomery away from Jean Harlow or Joan Crawford. Temporarily. It was ludicrous” (Life  is a Banquet).

clark gable rosalind russell c. aubrey smith jean harlow china seas
Clark Gable, Rosalind Russell, C. Aubrey Smith, and Jean Harlow

This was one of those occasions—this time Clark Gable from Jean Harlow. Rosalind played a rich English woman named Sybil Barkley, but Mr. Barkley is now dead and she is a widow, following an old flame of hers, played by Clark Gable, on the boat of which he is captain.

The film opens on the boat which will sail the China seas, like the title suggests. The voyage will be starting soon, but the captain is not yet on board. Without him around to hear,  a few of the workers express their disdain for him and how he will probably arrive, hung over and grumpy. He does finally arrive and his crew could not be more correct about his attitude. It is in the opening scene where we meet some colorful characters played competently by great character actors. One is C. Aubrey Smith, who plays Sir Guy, an old (also grumpy) man who owns the line of China seas ships and tries to watch over Captain Alan Gaskell (Clark Gable). Also along for the ride are passengers such as  constantly soused writer McCaleb (played hilariously by dependable Robert Benchley) and Timmons (Edward Brophy), the gap-toothed, New York accented man married to a beautiful girl (Lillian Bond), who seems to have some tricks up her sleeve.

clark gable jean harlow wallace beery china seas
Clark Gable, Jean Harlow, and Wallace Beery

Also, there is Dudley Digges, who plays Dawson, a crew man who is always drinking before he gets to work, and who is constantly being chastised by his captain for doing so or for having chewing tobacco in his mouth. Lewis Stone plays a rather withdrawn  man named Davids, who has a bad reputation of being a coward while working on a ship. Finally, among this seemingly large cast are two of the leads, Jean Harlow and Wallace Beery. Jean Harlow plays a brassy, uneducated, buxom blonde named China Doll (or Dolly) who was involved with Captain Gaskell at one time, and still can’t get him off her mind. Wallace Beery plays Jamesy MacArdle, a criminal who is in cahoots with pirates and wants to attempt to take gold that he is sure is on the ship. Beery also exhibits a slight Irish accent in his role, which is interesting.

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Rosalind Russell

Shortly before the ship is about to take off, a classy British woman comes aboard. It’s Sybil and Gaskell is almost bowled over that she has materialized before him. He was in love with her some years ago, but could never act on it because she was married. However, he knows that she is now a widow and suddenly has stars in his eyes. She mentions to him that she “is now in his hands” and his temperament soon changes after their meeting. The voyage has started and Dolly, forever without shame, bursts into Gaskell’s compartment and mentions the “English dame” she saw him talking to. She is jealous of any woman he makes eyes at and Sybil is certainly no exception. She describes Sybil as looking like she was “smelling a dead fish or something.” Gaskell laughs it off as a joke and later that night, they all sit at a big table to have dinner and Dolly is envious of Sybil because she is allowed to sit next to Gaskell by the head of the table.

rosalind russell clark gable china seas
Rosalind Russell and Clark Gable

Sybil has very polished manners and appears to be charming Gaskell into making “goo-goo eyes” at her… or so it seems to Dolly. And Dolly’s green-eyed monster shows its true colors when she interrupts Sybil as she is talking about her native England with another wealthy, worldly woman named Miss Yu Lan (played by Soo Yong). Dolly starts in with her loud, obtrusive voice, making a mockery of English society women like Sybil and even pretends to put a monocle over her eye, thinking that sums up dull English women in a nutshell. Sybil simply smiles at her and tells Dolly that she must really be in love with Alan if she is willing to humiliate herself that way. She excuses herself and Gaskell glares at Dolly, having had enough of her embarrassing him with stories of his darkest moments.

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Soo Yong and Rosalind Russell

When Dolly goes to Gaskell’s cabin to apologize for her behavior the night before, she tells him maybe there aren’t enough male versions of Sybil to go around. He responds by saying, “The real trouble is there aren’t enough female Mrs. Barkleys.” Although Harlow is a major scene stealer in this film and is constantly barking at Clark Gable, who barks back just as loudly, something great going for Roz is her costumes (again). She wears beautiful gowns that appear to be mostly white, although it is hard to tell in black and white. They are expensive-looking, very lovely, and could not make her stand out more. A personal favorite of mine is the adorable polka dot number she wears the day after the eventful dinner. It is important to note how excited Sybil is to be on the ship and how she seems almost itching to see a dangerous storm or something of that magnitude to take over the ship.

jean harlow wallace beery rosalind russell clark gable c. aubrey smith soo yong
Jean Harlow, Wallace Beery, Rosalind Russell, Clark Gable, C. Aubrey Smith, and Soo Yong

After Gaskell and Sybil decide they will get married when they get to Singapore, a storm just like Sybil had heard about begins to brew. It causes chaos and tragedy as large objects move from one side of the ship to the other. Gaskell even saves a little girl from being crushed by a piano that was barreling toward her. On the dock, there are steam rollers that horrifyingly crush a few of the men aboard. And the horror doesn’t stop there. Soon after the storm, the ship is taken over by pirates with whom Jamesy is working. They are sure there is gold aboard, so they torture Gaskell with the “Malay boot” in order to pry information from him. The Malay Boot is an ancient torture device that was put around the victim’s foot and as they are being tortured, the spikes or iron vises inside would put pressure on the foot, crushing it if enough was applied.

clark gable rosalind russell china seas
Clark Gable and Rosalind Russell

Naturally, Gaskell constantly passes out from the pain until Jamesy decides he doesn’t know anything about the gold because no man could possibly be that tough. Meanwhile,  Dolly has been forced to work with Jamesy after she accidentally finds out what he is up to. She gets him the key to the arsenal so that the pirates can take over the ship.

The next day, the pirates have been overcome by the ship’s crew, especially Davids, who risked his life (contrary to his reputation) by setting off a bomb near some pirates. Gaskell is using a cane to get around on his bandaged foot. Dolly doesn’t want Gaskell to get into any trouble and tells him that “When a woman can love a man right down to her fingertips, she can hate him the same way,” even though both Gaskell and the audience know that she can only love him.

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Rosalind Russell

When Sybil makes her sudden reappearance, it is only to be told that he can’t marry her. Not only does he not want to involve Sybil in the scandal, but a house in Sussex is not really for him and he could not possibly love any woman more than he does Dolly. Referring to Jamesy’s previous line about no man possibly being that tough, Alan Gaskell in fact is. There was gold on the ship, but it was hidden in the steamroller, and he never let it slip while being tortured.

This is a very good film just chock full of so many different genres and such a large cast, each individual character having their own story. I would recommend it to anyone, especially to Clark Gable and Jean Harlow fans. They are at their best in this film and it is rather thrilling to watch them scream at each other as only Clark Gable and Jean Harlow could.

clark gable jean harlow china seas
Clark Gable and Jean Harlow

IMDB page for China Seas

TCM overview of China Seas

Buy the DVD

Very nice fan made trailer for the film:

Reckless (1935)

“My word, I thought, a ten- or eleven-year-old having that bright red polish put on, and suddenly the hood of the dryer went back and the child stood up and it was Jean. She was probably twenty-three at the time, but without any makeup and no eyebrows, she looked exactly like a little kid,” Rosalind Russell wrote of her Reckless co-star, Jean Harlow. Russell and Harlow became friends in the short time they knew each other, but Rosalind was often called upon to get Jean out of jams, such as dragging her out of bars before she got herself into real trouble. Rosalind described Jean as a very sad girl, and it was certainly devastating to all when her life was suddenly taken from her at the tender age of 26.

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Rosalind Russell and Jean Harlow in Reckless (1935)

When Roz made Reckless with Jean Harlow, it was the year 1935 and she was still stuck in rather limited supporting roles. However, she got to work with two great stars in this one—Jean Harlow and William Powell. These two were in love with each other at the time and Jean was very excited to finally make a film with her beloved. Unfortunately, this film is a bit of a clunker and wasn’t the success they wanted it to be. Also along for the ride is Franchot Tone, who, unlike his usual characters, is a boozing jerk in this one. The actor was not very charismatic, but he got the job done.

The true star of Reckless is clearly Jean Harlow. She plays Mona, a singer and dancer who was a thorough professional, but sometimes got herself into trouble. Ned, played by William Powell, is an old friend of the family’s and is often called upon to help Mona out.

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Rosalind Russell in Reckless (1935)

He is a sports promoter and as Mona’s grandmother (May Robson) says, Ned is “like a great big brother to Mona.” After Mona is jailed for reckless (just like the title) driving, he gets her out in time for a benefit performance, but he fixes it so she has to return to jail after she is done. The benefit is for a faux group called SAML (Society for the Admiration of Mona Leslie). Bob Harrison (Franchot Tone), drunk as all get out, has rented the entire theater just so Mona can perform for him. This movie gets its name from the song sung by Mona called “Reckless,” which is the first song she sings, and then reprises in the final scene. Jean Harlow’s singing is dubbed and she clearly does not do her own dancing, either. This is apparent because when Jean dances, you can only see the top half of her body, and then when the dancing legs are shown, it is filmed from such a distance, it could be anyone’s uncle in a platinum blonde wig.

Next we get to the story of how Ned has been in love with Mona for a while, but she never takes him seriously as anyone but a “great big brother,” so he does not know how to tell her.

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Rosalind Russell in Reckless (1935)

At one point, he gets up the nerve to finally tell her that he loves her and wants to marry her, but feels foolish when he sees that Mona has fallen asleep during his heartfelt speech. He decides to forget the whole thing, thinking he dodged a bullet. However, even with this in mind, he buys a ring for Mona and plans to give it to her, but changes his mind when he realizes Mona has fallen in love with Bob. Soon after this, Mona and Bob suddenly elope while quite tipsy. Ned becomes so distraught by the news that he goes into a downward drunken spiral that night. Even Bob, who was there at the wedding, does not seem to realize what he has done and seems to regret it immediately. Mona has no regrets because she loves Bob very much. They are overwhelmed with telegrams that morning, two of them standing out. One is from Jo Mercer, his former fiancée, who says it’s all right with her. The other is a very disapproving one from his father who wants to talk to him right away. And so they go to Harrison, the town named after Bob’s father and where he grew up. His father, played by Henry Stephenson, is very ashamed of his son for marrying a “showgirl” when he has the family name and reputation to think of. Meanwhile, Mona ends up by a river and meets a girl who is fishing there. The girl teaches her how to cast, but Mona laments that she is better at “fishing for jobs.”

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Rosalind Russell in Reckless (1935)

The girl says her name is Jo Mercer (Rosalind Russell) and Mona immediately realizes who she is. Jo does not seem to blame Mona at all for breaking her engagement, but Bob instead. After all, Mona didn’t know Jo existed before they got married. Soon after, everyone (Ned, Mona, Bob, Jo, and some other friends) are at the horse races and Jo announces that she is getting married. She also makes sure to glance over at Bob to gauge his reaction. Naturally, he looks rather upset. At Jo’s wedding, Bob proceeds to get smashing drunk and Jo confronts him about his behavior. At first, she jokes about how she felt she was “getting on in years” and decided to marry the first man who came along. This joking manner quickly turns to anger when she feels he is insulting his wife, Mona. Mona happens to be walking by when he tells Jo that Mona “trapped” him into marriage, keeping him away from the girl he really loves (Jo).

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Jean Harlow, William Powell, and Rosalind Russell in Reckless (1935)

This is heartbreaking for Mona and although she is coerced into putting on a show for everyone, she has tears in her eyes as she sings and dances.

What happens next is tragic. Bob doesn’t feel he can live with himself any longer and shoots himself in his bedroom. This opens up a horrific scandal for Mona, as she is pregnant and subsequently gives birth to an adorable baby boy. Mr. Harrison, Bob’s father, tries to gain custody of the child by alleging that it is Mona’s fault that his son is dead and that Mona is an unfit mother, being a “show person.” He does not get her child, but in the end, she gives a performance to revive her sagging career caused by the bad publicity. Although Jo is there fully supporting her like a friend would do, once Mona starts singing, people in the audience start hissing, booing, and trying to disrupt her performance.

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Rosalind Russell in Reckless (1935)

No longer able to stand it, Mona shouts at them, “How dare you! How do you dare?” In a moving speech, she tells them that what happened is no more her fault than anyone else’s, that Bob was a sad man always drowning himself in sorrow, and that the audience should not be rude and interrupt her performance. As she sings her signature song, Ned proposes to her again. As everyone applauds, she takes his hand, signifying “yes” to him.

Rosalind does not even appear in the film until almost 50 minutes after it starts. And since the movie is a bit bland, it is a long wait for any Roz fan. I try to console myself with the fact that I am watching two great stars in their prime—Jean Harlow and William Powell—but the movie falls flat. However, there is something that makes Roz stand out in this film, and that is her costumes, particularly her wedding dress.

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Leon Ames and Rosalind Russell in Reckless (1935)

 

It is a beautiful creation by Adrian and it flows gorgeously behind her as she walks down the aisle. It is nice to see a real life couple in a movie in which they end up together, but it is a shame that it wasn’t very well executed and has a mediocre script. I give the film 3 stars out of 5.

 

 

IMDB page for Reckless

TCM overview for Reckless

Buy the DVD

Here is the trailer for Reckless for your viewing pleasure…

 

West Point of the Air (1935)

Whenever I need a good movie about aviation, I just pop in West Point of the Air—Oh, hold it. I never need a fix like that. As you can probably tell, this type of film isn’t really my thing, but I enjoy it nevertheless, and Rosalind Russell’s character Mrs. Dare Marshall is a small part of the reason.

west point of the air poster
West Point of the Air (1935) poster

The film stars Wallace Beery, Robert Young, and Maureen O’Sullivan. Wallace Beery plays “Big Mike” Stone—I am going to be truthful here and disclose the fact that I am not a fan of this man. I am not saying that I wouldn’t mind throwing a vase at the television every time I see his face, but—yeah, I’m going to say that. However, I am going to remain as impartial as I can and focus on the actual character he plays. He is the father of “Little Mike” Stone, played by Robert Young, who was indeed young—only in his 20s when he filmed this. A childhood friend and sweetheart named Skip is played by Maureen O’Sullivan and she does well in her role, adding just the right amount of sweetness but showing her strength toward the end of the film.

The film opens with Skip and Little Mike as young children, about 5 years old or so.  Skip also has a brother named Phil (Russell Hardie) and the three spend a lot of time with each other, playing and learning. Big Mike is also friends with Skip’s and Phil’s father, (Lewis Stone), as both men work in the world of aviation. Also hanging around is Big Mike’s buddy, “Bags” (James Gleason), also called “Marble Head” by Big Mike. It is natural that Phil and Little Mike devote their time to flying airplanes when they grow up because both their fathers have worked on airplanes their entire lives.

maureen o'sullivan robert young west point of the air
Maureen O’Sullivan and Robert Young in West Point of the Air (1935)

As the three children blossom into young men and women, Little Mike and Skip carry on a budding romance and the two young men go to West Point for flying school. They are both in the Army and Little Mike even plays for the Army’s football team. This is a source of pride for his father and he is excited to watch his boy in the football game against the Navy team.

This is when Rosalind Russell makes her first appearance in the film. She plays divorcée Mrs. Dare Marshall and is seated behind Big Mike in the bleachers. She is sitting with a gentleman friend of hers and Big Mike seems greatly bothered by her existence as she keeps on talking during the game and even takes a drink from a flask to warm herself up. When his son makes the winning touchdown, Big Mike is shielded from this great moment as a woman in front of him falls on top of him in her excitement. However, he turns to Dare and tells her she has good taste by betting on the right team. When she discovers Little Mike is his son, she asks if she can meet him. After the game, there is a fun party where Skip and Little Mike dance under the sparkling lights and celebratory confetti. Dare makes her way toward Little Mike, telling him how excited she is to meet him, and immediately invites the whole group to the theater where they are going to watch the newsreel of the game. She figures now Big Mike can see his son make that historic touchdown. However, during the big moment in the theater, a group sitting in front of Big Mike decides to get up and leave the theater. Perfect timing! Although Big Mike has missed the celebratory moment twice, he is still as proud of his son as ever. When they all drop Skip and Phil off on the train, Skip tells Little Mike to be sure and take care of himself, to which Dare replies, “Don’t worry! I’ll look after him!” while taking his arm.

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Rosalind Russell and Robert Taylor in West Point of the Air (1935) – they didn’t share any scenes so could be a deleted scene

Naturally, Skip is worried about this. And with good reason—soon, Little Mike has two framed photos of women on his mantle:  one of Skip and one of Dare.

To get back to the subject of flying, it is important to note that Little Mike loves to fly, but is a bit too cocky about his abilities and does not take any of it seriously. He would much prefer to do fun stunts in the sky than study the proper way in which to handle a plane. When Skip refuses to go out with Little Mike because she knows he has an important 60-hour solo flight the next morning, he is disappointed… but not for long. When he gets back to his quarters, he finds Dare there, waiting for him. Dare only means trouble for him as she persuades him to stay out all night, even though he has an important test in the morning. At 1 am, he is at her house, having a drink, and it is subtly implied that he spends the night there instead of going back to his quarters. This implication is topped with her line, “Well, you don’t have to solo tonight, do you?”  as she hands him a drink. He takes the glass from her, a way of accepting her invitation. They drive out the next morning in his car onto the air field, and cause Phil to narrowly miss them and crash nearby. Phil has to have his leg amputated and Little Mike blames himself for having the car there in the first place.

rosalind russell richard tucker west point of the air
Rosalind Russell and Richard Tucker in West Point of the Air (1935)

The constant presence of Mrs. Dare Marshall is a worrisome problem for Big Mike, who is never pleased when she is around. He obviously sees her as a predatory divorcée who will bring his boy to ruin. Rosalind Russell wrote that Robert Taylor started at MGM the same day she did (Life is a Banquet). And in this 1935 film, we can see who was the bigger man (or woman) in town. Russell has a significant role as the “other woman” while Taylor maintains a very small part as a fellow flying student who meets his demise in a plane crash toward the end. However, as many classic film buffs know, Robert Taylor would become a much bigger star than Rosalind Russell was. It was just a matter of when his big break would come.

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Rosalind Russell in West Point of the Air (1935)

The end of Mrs. Dare Marshall comes at a crisis point for Little Mike. She is happy to get him away from the world of aviation as he has recently quit the Army and flying for good. However, when Skip comes over and gives Dare a good talking-to about what is really important in Little Mike’s life, it is clear where Little Mike’s heart lies. Dare explains to Little Mike, “You never looked at me like that… almost as if you were hungry. I wonder if I’m going to lose you every time you hear a plane.” He indeed hears a plane outside, noticing it is his father.

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Rosalind Russell in West Point of the Air (1935)

When he runs off to try to stop his father from doing something foolish in the air, Dare waves goodbye, looking a little sad, but also resigned to the fact that Little Mike would never be able to quit flying.

The film ends with Little Mike saving his father after Big Mike crashes into the ocean. He drags him from the water and his father looks up at him thankfully. After being previously dishonorably discharged from the Army for talking back to his son who was higher ranked, Big Mike is let back in and receives the honor of pinning a medal to his brave son’s chest. Little Mike is reunited with Skip, they kiss, and they live happily ever after, it is assumed. The movie ends on a funny note when “Bags” kisses his buddy, Big Mike, on the cheek, to which Big Mike quips, “Only men belong in this outfit!”

rosalind russell robert young west point of the air
Rosalind Russell and Robert Young in West Point of the Air (1935)

To conclude, Rosalind Russell was very competent as the “other woman”—a mature divorcée whose life experience and habit of throwing caution to the wind was most likely what attracted Little Mike to her. The rest of the cast also does well, even Wallace Beery who, as I wrote above, I am not a fan of. As long as I try my best to be an impartial observer, I think I can look past the gruff exterior of this man to see something (maybe) of a proud father in his characterization.

Read about the film on IMDB

Read TCM’s overview of the film

 Watch the movie’s trailer here

The Casino Murder Case (1935)

rosalind russell paul lukas casino murder case on the set
Rosalind Russell and Paul Lukas filming a scene for The Casino Murder Case (1935)

“It was so bad, and I was so bad in it, that it gave my maid Hazel ammunition for seasons to come,” writes Rosalind Russell about the 1935 film The Casino Murder Case and her role in it. “’If you don’t behave,’ she’d say, ‘I’m going to tell people about that Casino Murder Case.’” This film was Russell’s first chance at a romantic lead, but it was forced upon her. She didn’t feel ready for leads, but she had to do it.

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Rosalind Russell in The Casino Murder Case (1935)

The film stars Paul Lukas, who has a heavy Hungarian accent, and plays Philo Vance, previously played with great success by William Powell and once by Basil Rathbone. There were many film adaptations of the “murder cases” of Philo Vance, but it is difficult to say why they would cast someone like Paul Lukas in the role in 1935. He did not have the grace and charm that William Powell had, and because the character of Philo Vance was a New York city crime buster, it seems odd they would cast someone from Hungary.

The film revolves around an eccentric, dysfunctional family and the strange things that keep happening to them. We first see the matriarch of the family at an auction, bidding on worthless junk with the aid of her secretary/companion Doris (Rosalind Russell).

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Rosalind Russell in The Casino Murder Case (1935)

Mrs. Llewellyn (Alison Skipworth) is outbid by Philo on an awful statue of Cupid, which he proceeds to break into pieces right outside the auction house. He had earlier received a letter that said in part that Lynn Llewellyn, Mrs. Llewellyn’s son, would experience an “awful tragedy” if he doesn’t act quickly. He is immediately intrigued by Doris and even offers to carry the purchases for her, but she tells him she doesn’t trust him (after seeing him break the Cupid) and leaves. Philo shows up at the Llewellyn house and this is when we first meet the rest of the family. First, there is Virginia (Louise Henry), who is married to Lynn (Donald Cook), but wants to leave the stuffy old house and go back to show business, which the elder Mrs. Llewellyn forbids. Next we have Amelia (Isabel Jewell), who is a sad young woman who feels she’ll never leave the big house, although she is engaged to a doctor who also lives there; she usually has a drink in her hand and drinks her sorrows and troubles away. Also there is Mr. Kinkaid (Arthur Byron), Mrs. Llewellyn’s brother who is completely uninterested in the goings-on most of the time. Besides a few other servants, there is Becky (Louise Fazenda), a funny, snooping maid who seems to have an opinion about everything.

After Philo Vance leaves the house after meeting everyone, Doris is leaving for some errands and he offers to give her a lift.

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Rosalind Russell and Louise Fazenda in The Casino Murder Case (1935)

As they cheerfully drive down the road, Doris informs him that she knows he isn’t taking her to the library like she asked. He tells her it’s true, that he wants to take her back to his apartment to meet the district attorney about some trouble involving the Llewellyn family. One important thing to note about this scene is the wacky and wonderful way Rosalind opens her eyes wide, looks at him out of the corner of her eye, or rolls her eyes in reaction to something he has said. It is clear that even at this early point in her career, she was destined for comedy. She was already a master of funny facial expressions.

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Paul Lukas and Rosalind Russell in The Casino Murder Case (1935)

In a later scene, Doris accompanies Philo to the casino, and Lynn asks her to please go back to the house to quiet things between Virginia and his mother, as they were usually bickering. When she goes back to the house, it is looming with creepy shadows and while she gets Philo on the phone, something extraordinary happens. Virginia has been poisoned there at the house, and at the same time, so has her husband back at the casino. Although Lynn survives the murder attempt, Virginia does not.  Later, Mrs. Llewellyn is found dead by a gunshot wound with a note by her side, admitting that she killed her daughter-in-law, Virginia. It is at this point that I glimpse a bit of bad acting on Rosalind’s part. She stands at the top of the stairs, puts her hand dramatically to her head, and screams out hysterically before fainting.

paul lukas rosalind russell casino murder case
Paul Lukas and Rosalind Russell in The Casino Murder Case (1935)

Although that is technically a dramatic part of the story, I laugh because it is ridiculous the way she does it. But it is likely Rosalind would not defend herself on this point because she thought she was rather bad in the movie.

Rosalind Russell provides a rather youthful female partner for Paul Lukas, who, at almost 44 years old, was 16 years older than her. Truthfully, I do not see the two as a plausible couple and do not see the chemistry radiating off of them in any of the (few) romantic scenes. And on another truthful note, it is revealed that the murder attempts on the Llewellyn family had something to do with something called “heavy water” and it appears Mr. Kinkaid is behind it. If heavy water, which has a larger than normal amount of the hydrogen isotope “deuterium”, is consumed in large quantities, it can result in death. Mostly, this film’s story is rather boring. Without the charm and charisma of a William Powell-type actor, the main character comes off bland, and the chemistry between the two romantic leads is almost nonexistent, which doesn’t help matters. I do not highly recommend this film. I would rather recommend one of the earlier film adaptations of the Philo Vance cases, especially the William Powell versions. However, if you are as big a fan of Rosalind Russell as I am and you must see it, then definitely do so!

casino murder case poster
Poster for The Casino Murder Case (1935)

The Night is Young (1935)

The Night is Young, released in 1935, is a combined comedy/musical/romance. It stars Ramon Novarro and Evelyn Laye with a supporting cast that includes the always wonderful Una Merkel, funny Charles Butterworth, and the sometimes bumbling Edward Everett Horton. Once again, Rosalind Russell has a small part in this film.

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Edward Everett Horton, Rosalind Russell, and Ramon Novarro in The Night is Young (1935)

In this case, she is a Hungarian countess. Of course, she does not sound Hungarian, but rather British instead. However, that’s usually how they did it in Hollywood back then. She is a fun character to watch, even if her part is small and she disappears halfway through the film. We first see her in the first scene of the film. She is watching a ballet in which Evelyn Laye’s character (Lisl Gluck) dances. Also there is the Archduke Gustl Gustave (Ramon Novarro). Russell’s character, named Countess Zarika Rafay (What a name, huh?) notices Gustl in an upper box and blows him a kiss. He smiles back at her and it is obvious they are romantically entangled. However, it is soon learned that Gustl’s uncle, Emperor Franz Josef (Henry Stephenson), despises the family that the countess comes from, and would never approve of a marriage between her and his nephew. Gustl pretends he is in love with one of the ballet dancers and picks out Lisl from the stage. She is commanded to come to the archduke’s place of residence to cover for him.

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Rosalind Russell in The Night is Young (1935)

He continues to see the countess in secret while Lisl stays at his house. The countess is a fiery little thing with a violent temper. The Baron Szereny (often called “Doodlesack” by both Gustl and Lisl) warns the countess that the emperor won’t like her carrying on with his nephew. Angry at him, she is about to throw a small statuette at his head when Gustl enters. When she finds out that the Archduke is afraid to be seen with her, she throws a temper tantrum, thinking he wants to keep her on a “back street,” and remarks, “I’m just something to throw aside like an old… like an old… like, uh, whatever it is you throw aside!” When the countess is seen again, it’s to go after the Archduke as he has taken Lisl to the carnival after having fun singing with her at his home. When she sees them together on the Ferris wheel, the Archduke is suddenly very afraid and does not want to get off.

rosalind russell edward everett horton the night is young
Rosalind Russell and Edward Everett Horton in The Night is Young (1935)

He knows of the countess’s nasty temper and feels safer on the Ferris wheel. When Lisl notices the countess, he tells her the countess is “Mrs. Doodlesack.” The countess becomes very angry and takes off, but not without leaving the Baron with a black eye.
Two other important characters in this film are Fanni Kerner (Una Merkel) and Willy Fitch (Charles Butterworth). This is a most delightful comedy team and are most certainly the comic relief. Una Merkel is wonderfully witty as always and Charles Butterworth is hilarious as her boyfriend who seems to care more about his mule named Mitzi than her.

charles butterworth una merkel the night is young
Charles Butterworth and Una Merkel in The Night is Young (1935)

He even sings a song about his mule when they go for a carriage ride. At first, Miss Una is excited to listen to this song because she thinks it will be about her, and when she hears the name “Mitzi,” the faces she makes in reaction are priceless. Evelyn Laye is also lovely in the film, entertaining the audience with her beautiful operatic singing voice and Ramon Novarro is as cute and charming as ever.

Ramon novarro evelyn laye the night is young
Ramon Novarro and Evelyn Laye in The Night is Young (1935)

 

Some fun songs they sing in the film are “When I Grow Too Old to Dream,” “There’s a Riot in Havana,” “Lift Your Glass,” and the title song, “The Night is Young.” This is a fun film and I recommend it not just for a short, entertaining appearance by angry Roz, but for the other characters as well.

Relevant links:

IMDB page for The Night is Young

Turner Classic Movies overview

And here is a clip from the film with Ramon Novarro and Evelyn Laye: